| Titre | “Those unheard are sweeter” | |
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| Auteur | James Kennaway | |
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Revue | Terrain |
| Numéro | no 68, automne 2017 L'emprise des sons | |
| Résumé anglais |
The historiography of musical hallucinations has hitherto focused on the origins of modern medical investigations of the subject. This has led to a view of the nineteenth century as a break in continuity in which ambivalent mystical conceptions were replaced by scientific perspectives of them as a symptom. This paper looks at the complex attitudes towards the phenomenon in the period, showing how religious, semi-scientific, romantic and medical debates allowed scope for continuing ambiguous and positive views. Source : Éditeur (via OpenEdition Journals) |
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| Article en ligne | http://journals.openedition.org/terrain/16426 |
