| Titre | Imágenes de la posdictadura: recreaciones del horror (artes, visualidad y afectos en relatos audiovisuales). | |
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| Auteur | Alejandra Torres | |
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Revue | Amerika |
| Numéro | no 26, 2023 Fictions de la terreur dans le Cône Sud et au Brésil : représentations récentes | |
| Rubrique / Thématique | Dossier: Fictions de la terreur dans le Cône Sud et au Brésil : représentations récentes Cine |
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| Résumé anglais |
In this work we stop at some recreations of horror in different audiovisual productions in which the events that occurred during the last military dictatorship in Argentina (1983-1976) are resignified. Taking visuality and affections as the axis, we approach audiovisual stories : Microrrelatos. Historias breves sobre los juicios de Lesa, that cross art, memory and communication through digital mediation, as well as in the sample that exhibits the work done. In a second moment, we stop the audiovisuals Granada (2005), Búsquedas (2009) and Memorial del espacio (2018) and we close with reflections on the documentary by David Blaustein, Fragmentos rebelados (2018). We believe that these works illuminate areas little traveled by the case studies and give them new meaning, as Patricia Violi (2021) affirms, artistic language can give the past time a new treatment in which absence is not only resignified but also evoked. lost beings and «a space of contact between the living and the dead is opened» (Violi 2021, p. 38). In this paper we analyze the opening to those interstitial zones in the videos and in the documentary in which the viewer's gaze also produces new meanings. Source : Éditeur (via OpenEdition Journals) |
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| Article en ligne | https://journals.openedition.org/amerika/18100 |
