| Titre | La couleur du réel. La photographie couleur(s) a-t-elle un sens ? (États-Unis 1960-1990) | |
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| Auteur | Jean Kempf | |
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Revue | Revue française d'études américaines |
| Numéro | no 105, septembre 2005 Couleur(s) d'Amérique | |
| Page | 110-124 | |
| Résumé anglais |
Color is a central epistemological issue in photography. This article looks at the emergence of the use of color in creative American photography in the 1960s-1980s, focussing particularly on the works of Stephen Shore, William Eggleston, and Joel Meyerowitz. It argues for a sociological and not only aesthetic explanation for the late introduction of color in creative practices, and suggests that the fast development of color photography paradoxically indicates a distancing with reality and a crisis of the faith in the power and meaning of objects. Source : Éditeur (via Cairn.info) |
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| Article en ligne | http://www.cairn.info/article.php?ID_ARTICLE=RFEA_105_0110 |
