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Titre La différence coréenne dans l'art des jardins extrême-oriental
Auteur Park Jungwook
Mir@bel Revue Extrême-Orient, Extrême-Occident
Numéro no 22, 2000 L'art des jardins dans les pays sinisés. Chine, Japon, Corée, Vietnam
Rubrique / Thématique
III. Les jardins coréens et vietnamiens
Page 125-134
Résumé anglais The Korean difference in the Far-Eastern Art of garden The art of the Korean garden attained its specific aesthetic determination under the Chosôn period. Strongly influenced by a cosmological philosophy contrasting Substance and Void, it tended to use rectangular forms for terraces and basins. It also emphasized the interpenetration of interior and exterior, especially in the careful layout of the madang (interior garden). Zen Buddhism made its mark on gardens in Korea earlier than in Japan, and in a different manner : less sophisticated than Japanese dry gardens, they sought the sensation of remote nature in the depth of a forest, accompanied by the sound of water.
Source : Éditeur (via Persée)
Article en ligne http://www.persee.fr/web/revues/home/prescript/article/oroc_0754-5010_2000_num_22_22_1121