| Titre | Les recueils comiques de kyôka : l'exemple du Tokuwaka gomanzai shû | |
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| Auteur | Daniel Struve | |
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Revue | Extrême-Orient, Extrême-Occident |
| Numéro | no 25, 2003 L'anthologie poétique en Chine et au Japon | |
| Rubrique / Thématique | III. Tradition de l'anthologie et culture populaire au Japon |
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| Page | 139-163 | |
| Résumé anglais |
Humorous Collections of Kyôka : the Example of Tokuwaka go manzai shû
Numerous collections of comic poetry were compiled during the Edo period, as a result of the introduction of printing techniques as well as the success of the comic genres of haikai and kyôka. This study highlights the evolution of kyôka collections from the middle of the 17th century to the Tenmei era (1781-1791), considered the high point of the kyôka genre, and emphasizes the persistent ambiguity that characterized it throughout its history. Then it takes up the inner structure of the Tokuwaka go manzai shû by Ôta Nanpo, showing the virtuosity displayed by this author in handling the various devices used in classical poetry collections. Finally, it addresses the ironic staging of the author's own character and the complex relations established with the reader. Source : Éditeur (via Persée) |
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| Article en ligne | http://www.persee.fr/web/revues/home/prescript/article/oroc_0754-5010_2003_num_25_25_1171 |
