| Titre | Se méfier de l'original ? : Les cas de Bollywood et Kanowood | |
|---|---|---|
| Auteur | Anne-Sophie Perriaux | |
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Revue | L'Homme et la société |
| Numéro | no 154, 4e trimestre 2004 Le cinéma populaire et ses idéologies | |
| Page | 109-130 | |
| Résumé anglais |
Anne-Sophie PERRIAUX, Beware of the Original? The Cases of Bollywood and Kanowood.
India and Nigeria are today, with the United States, the most powerful producers of films in the world both in terms of numbers of films and the revenues derived from them. However, if the cases of Hollywood, Bollywood and Kanowood are similar in these respects, the differences are also great. Especially, Bollywood and Kanowood reveal that the process of « cultural homogenization » often attributed to Hollywood and coupled to « globalization » is more complex than it seems. Source : Éditeur (via Cairn.info) |
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| Article en ligne | http://www.cairn.info/article.php?ID_ARTICLE=LHS_154_0109 |
