| Titre | Musique populaire dans le monde capitaliste : vers une sociologie de l'authenticité | |
|---|---|---|
| Auteur | Larry Portis | |
 |
Revue | L'Homme et la société |
| Numéro | no 126, 4e trimestre 1997 Musique et société | |
| Rubrique / Thématique | Musique et société |
|
| Page | 69-86 | |
| Résumé anglais |
Larry Portis, Popular Music and Capitalism : Towards a Sociology of Authenticity
Music has an important place in the evolution of capitalist societies in adapting its rhythms, its cadences and the expression of themes which reflect emotional needs in a changing social environment. A sociology of popular music must therefore consider musical sensibilities and tendencies from both aesthetic and political points of view. Nowhere have musical cultures resisted entirely the powerful influence of African-American music, the result of marketing strategies and of cultural fascination. The notion of authenticity is central in the process of subordination and revolt in industrial-capitalist societies. Source : Éditeur (via Persée) |
|
| Article en ligne | http://www.persee.fr/web/revues/home/prescript/article/homso_0018-4306_1997_num_126_4_2916 |
