| Titre | Vie, mort, et renouveau du cinéma politique | |
|---|---|---|
| Auteur | Tangui Perron | |
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Revue | L'Homme et la société |
| Numéro | no 127-128, 1er et 2e trimestre 1998 Cinéma engagé, cinéma enragé | |
| Rubrique / Thématique | Cinéma engagé, cinéma enragé |
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| Page | 7-14 | |
| Résumé anglais |
Tangui Perron, Life, Death and Rebirth of Political Cinema
From the beginnings of cinema, filmed news featured strikes and social movements generally. In this reporting the essence of the dominant discourse was me obfuscation of the causes of the strikes and the motivations of the strikers, and the insistance upon the inconveniences occasioned by their actions. However, the labor force has always attempted, in vain, to counter these images with their own. This cinema, first called « social » and then « militant », sees itself as having a special relationship with politics and has tried a number of different aesthetic approaches. Source : Éditeur (via Persée) |
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| Article en ligne | http://www.persee.fr/web/revues/home/prescript/article/homso_0018-4306_1998_num_127_1_2927 |
