| Titre | Слово и голос : О поэзии Бенедикта Лившица | |
|---|---|---|
| Auteur | Vadim Kozovoj | |
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Revue |
Cahiers du monde russe Titre à cette date : Cahiers du monde russe et soviétique |
| Numéro | volume 30, no 1-2, janvier-juin 1989 | |
| Rubrique / Thématique | Articles |
|
| Page | 119-135 | |
| Résumé anglais |
Vadim Kozovoj, The word and the voice. On the poetry of Benedikt Livshits.
The poetic evolution of Benedikt Livshits (1886-1938) seems all the more significant because in a precise historical context - which questions the very existence of poetry - it is accompanied by a radical enough reflection on this context (often viewed in terms of language) and on the possibilities of the poet himself viewed as an objective. Consequently, the analysis of this evolution allows us to formulate certain problems of a larger dimension such as the distinction in poetry between the voice and the vocality, the image and the unimaginable, the reason and the unreasonableness. And since the poetry of Livshits is situated with reference to certain Greek mythologems, we are entitled to examine the exact part played by those "sources" in the space of their private world and see how finally sirens avenge themselves upon Ulysses by destroying his poetical vessel and where this strange disembodied orphism, so clearly expressed in Livshits' poetry after his participation in the Futurist movement, is leading to. Source : Éditeur (via Persée) |
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| Article en ligne | http://www.persee.fr/web/revues/home/prescript/article/cmr_0008-0160_1989_num_30_1_2179 |
