| Titre | Le drame, la musique et le théâtre : La conception symboliste de l'homme | |
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| Auteur | Maria Cymborska-Leboda | |
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Revue | Cahiers du monde russe |
| Numéro | volume 35, no 1-2, janvier-juin 1994 Un maître de sagesse au XX e siècle Vjačeslav Ivanov et son temps | |
| Rubrique / Thématique | Poétique et herméneutique |
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| Page | 191-208 | |
| Résumé anglais |
Maria CYMBORSKA-LEBODA, Drama, music and theater : the symbolist conception of man.
This article attempts to extract from the theoretical writings of symbolists (such as Viacheslav Ivanov and A. Belyi), their views on music, drama and theater. It traces the influence exercised directly by the traditions of ancient culture, familiar with the writers of this period, and the part of Nietzschean and Wagnerian aesthetics, as intermediary in the assimilation of antiquity (for instance, the eternal recurrence, the revival of the pristine elements in drama ; its chorus and its musical, Dionysiac element). The article examines symbolist views on the archaization of drama (partly similar to Bahtin's notion of genre) and the hierarchy of arts and genres, together with the typology of drama : Ivanov contrasts drama- performance with choral drama, of Dionysiac origin. Finally, the article presents Ivanov's philosophical views on man and culture. Source : Éditeur (via Persée) |
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| Article en ligne | http://www.persee.fr/web/revues/home/prescript/article/cmr_1252-6576_1994_num_35_1_2384 |
