| Titre | L'artiste, le boucher et le sacrificateur | |
|---|---|---|
| Auteur | Frédéric Saumade, Dominique Fournier | |
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Revue | Etudes rurales |
| Numéro | no 113-114, 1989 Célibats | |
| Rubrique / Thématique | Bêtes sauvages et animaux domestiques |
|
| Page | 203-220 | |
| Résumé anglais |
The Artist, the Butcher and the Sacrificer
The ethnographic study of Lower Andalusia, where the toro has become a fundamental cultural symbol, reveals that urban-dwellers feign to reject the meat of the sacrificial killing of a bull in an arena because it is still identified with the marginal world of slaughterhouses. This tendency is revelatory not only of the ambiguous evolution of town-country relations in the Seville area but also about sociocultural relations since the 18th century when the "plebs" , as they are usually called, managed to voice their judgment and their determination to rise in the social hierarchy within the framework of the taurine performance. Source : Éditeur (via Persée) |
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| Article en ligne | http://www.persee.fr/web/revues/home/prescript/article/rural_0014-2182_1989_num_113_1_3243 |
