| Titre | Un objet culturel digital : Le cas de la « restauration » de l'Ecce Homo de Borja | |
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| Auteur | Nathalie Dietschy, Claire Clivaz, Dominique Vinck | |
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Revue | Cahiers du numérique |
| Numéro | vol. 11, no 1, 2015 L'archivage numérique des savoirs | |
| Page | 15-40 | |
| Résumé anglais |
In August 2012, the Centro de Estudios Borjanos of Borja, in Spain, published on his blog his “deep regrets” after having discovered what the centre calls an “unspeakable act”: a mural painting, situated in the Sanctuary of Mercy Church, has been restored in such a manner that the original subject – the Man of Sorrow – can hardly be recognized. The case is rapidly diffused by the international press and resulted in an unexpected dimension, sparking mockery and empathy. Almost all commentators in the press and on the Internet described the case as “botched restoration”. In contrast, the face of the Ecce Homo, transformed by this “restoration” gave rise to a variety of reinterpretations on the Internet. This article seeks to analyze the phenomenon of a collective re-appropriation made possible by the Web 2.0.1. Source : Éditeur (via Cairn.info) |
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| Article en ligne | http://www.cairn.info/article.php?ID_ARTICLE=LCN_111_0015 |
