| Titre | Conciencia del tiempo, repetición y duelo : Saer, Piglia y Barthes | |
|---|---|---|
| Auteur | Oscar Brando | |
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Revue | Amerika |
| Numéro | No 3, 2010 La Mémoire et ses représentations esthétiques en Amérique latine /2 | |
| Rubrique / Thématique | Mémoire et urgences textuelles |
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| Résumé anglais |
Since a coincidence – the publication in 1980 of Nadie nada nunca (Nobody nothing never) by Juan José Saer, Respiración artificial (Artificial breathing) by Ricardo Piglia and La cámara lúcida (The lucid camera), Roland Barthes´s last book – the article reflects upon Time and the rescue of the meaning of a past experience. Barthes presents, through the study of photography, the impossibility of bereavement. Piglia considers that the meaning of the future can be read in the past. Then, Saer´s invariable present can be sensed full of a tragic past and a sinister future. Source : Éditeur (via OpenEdition Journals) |
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| Article en ligne | http://amerika.revues.org/1605 |
