| Titre | Julio Cortázar y Gonçalo M. Tavares : el juego de todos los juegos | |
|---|---|---|
| Auteur | Celina Martins | |
 |
Revue | Amerika |
| Numéro | No 12, 2015 La mort : imaginaires et sociétés | |
| Rubrique / Thématique | Mélanges |
|
| Résumé anglais |
This paper proposes a comparative study of the plus-signification of language games in Cronopios and Famas (1962) by Julio Cortazar and in the series O Bairro (2001) by portuguese writer Gonçalo M. Tavares. Cortázar questions the routine of prefabricated language, by resorting to ironic invention. Tavares constructs a neighbourhood project, i.e., an utopian game of deconstruction of the literary canon, by transforming Argentinian writers, namely Juarroz and Cortázar, into parodied doubles who reveal criticism of their dilemmas, obsessions and viewpoints by rejecting unilateral thinking in a rewriting ritual. Source : Éditeur (via OpenEdition Journals) |
|
| Article en ligne | http://amerika.revues.org/6253 |
