| Titre | Variations énonciatives. Aspects de la genèse du style de l'Étranger | |
|---|---|---|
| Auteur | Jean-Michel Adam, Mireille Noël | |
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Revue | Langages |
| Numéro | no 118, juin 1995 Les enjeux de la stylistique, sous la direction de Daniel Delas | |
| Page | 64-84 | |
| Résumé anglais |
Enunciative variations : The genesis of style in « L'Etranger » As a consequence of the systematic use of the French « passe compose », the style of Albert Camus's best-known novel deviates from the traditional French novel. But it is indeed the basic function of tenses and time adverbs which is deconstructed : actions and events can no longer be located relatively to the time of utterance. The stylistic innovation of the novel cannot be separated from the enunciative choices. The article examines how Albert Camus goes from « La Mort heureuse » (a novel written in the third-person and the French « passe simple » which he never published) to a novel which is a landmark in French fiction. The stylistic choices are studied through a comparison of the opening pages of the two novels and in a fragment of « La Mort heureuse » which Camus takes up again almost literally in « L'Etranger ». Source : Éditeur (via Persée) |
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| Article en ligne | http://www.persee.fr/doc/lgge_0458-726x_1995_num_29_118_1715 |
