| Titre | La rhétorique de la tension chez Léonardo Crémonini. Figure de l'attente et figure de l'aguet dans l'énoncé visuel | |
|---|---|---|
| Auteur | Françoise Parouty-David | |
 |
Revue | Langages |
| Numéro | no 137, mars 2000 Sémiotique du discours et tensions rhétoriques, sous la direction de Jean-François Bordron et Jacques Fontanille | |
| Page | 87-101 | |
| Résumé anglais |
In the philosophy of the french art movement called Nouvelle figuration, Cremonini starts from familiar, apparently harmless scenes and introduces into his pictures a number of tensive signs on each plane : figurative, expressive and enunciative. He builds a baroque space in the Wölfflin sense where wait and watch figures predominate in a narrative yet suspended program. Wait here is linked to promise and mainly to threat. A motif of wait, the watch figure is specific of volitive modalities of seeing and showing through various manipulations of things : mirrors, windows, glasses... The corpus generates a strong pathemisation and comes under a rhetoric strategy, a very tensive one with its predominantly persuasive dimension resulting from the coherent recurrences from one painting to another. Source : Éditeur (via Persée) |
|
| Article en ligne | http://www.persee.fr/doc/lgge_0458-726x_2000_num_34_137_1786 |
