| Titre | Dame polyvalente, glissement registral et contrafacture chez Thibaut de Champagne | |
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| Auteur | Christopher Callahan | |
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Revue | Le Moyen Age |
| Numéro | tome 118, no 3, 2012 | |
| Page | 581-594 | |
| Résumé anglais |
Multifaceted Lyric Ladies, Intergeneric Play and Contrafacture in the Songs of Thibaut de Champagne The 63 songs of the 13th century trouvère Thibaut de Champagne show a remarkably hybrid structure which resists easy classification into registers, instead engaging in a kind of intergeneric play that highlights the porous nature of such boundaries. This article explores the concept of the archidame, or archi-lady, an abstract personage who can be realized, according to context, as the subject of a love song, devotional song, or pastourelle. The rhetorical strategies linking secular and Marian songs are particularly intricate, and are explored via an analysis of the debate genre, which serves as a crucible for the ethics of courtly love. The debate song is also at the hub of the network of contrafacture, which is proving to play a significant role in the social network of courtly poetry. Source : Éditeur (via Cairn.info) |
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| Article en ligne | http://www.cairn.info/article.php?ID_ARTICLE=RMA_183_0581 |
