| Titre | O jogo da escrita em Lo imborrable de Juan José Saer : da ditadura à poética | |
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| Auteur | Raquel Alves Mota | |
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Revue | Amerika |
| Numéro | no 15, 2016 Coup d'état en Argentine et Guerre des Malouines | |
| Rubrique / Thématique | Dossier "Coup d'état en Argentine et Guerre des Malouines" Coup d'État : militaires, résistants et artistes |
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| Résumé anglais |
The years of dictatorship in Argentina is a central issue in Lo imborrable (1993) - theme developed through the aesthetic discussion of the book “La brisa en el trigo”, authored by the character Walter Bueno. Lo imborrable focuses on Tomatis – a character that undergoes much of the « Saerian saga » – in the period in which he came out of depression and alcoholism, evils that imprisoned him after the death of his mother and the disappearance of a revolutionary young girl, « la Tacuara ». When “La brisa en el trigo” was released, Tomatis defied the military government – which boosted the spread of this book – by publishing a fierce critique of the realism of Walter Bueno or his lack of skillin both driving the plot and carrying out the aesthetics of the work. This poetic discussion uncovers the lucidity of Saer as he defends writing as an “imborrable” weapon for resistance. Source : Éditeur (via OpenEdition Journals) |
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| Article en ligne | http://amerika.revues.org/7689 |
