| Titre | Le champ des avant-gardes | |
|---|---|---|
| Auteur | Annie Verger | |
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Revue | Actes de la recherche en sciences sociales |
| Numéro | vol. 88, no. 1, 1991 Les avant-gardes | |
| Rubrique / Thématique | Les avant-gardes |
|
| Page | 2-40 | |
| Résumé anglais |
The Field of the Avant-gardes Working on sample of 50 artists selected on the basis of the consecration given by certain number of competing institutions this article sets out to distinguish the diffe rent tendencies of the avant-garde to draw up an inven tory of reception centres art galleries cultural centres etc.) and to constitute the Held of the cultural agents gal lery conservators art critics dealers etc.) in short to map the terrain of artistic celebrity By means of factorial analysis of correspondences it is possible to define the theoretical space of aesthetic political and technical dif ferences and bring to light the structure of the power re lations among all the agents who help to produce the definition of the avant-garde This brings out first op position between the pole of national success and the pole of international competition and second opposition be tween an avant-garde which has emerged in southern France and the Parisian avant-garde It can also be seen that over the last ten years the relative demobilization of left-wing committed artists has modified the power rela tions to the advantage of the agents who hold the mono poly of the dominant definition of the avant-garde and the artists who have deployed strategies aimed at the interna tional market Source : Éditeur (via Persée) |
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| Article en ligne | http://www.persee.fr/web/revues/home/prescript/article/arss_0335-5322_1991_num_88_1_2979 |
