| Titre | L'âne qui peint avec sa queue | |
|---|---|---|
| Auteur | Daniel Grojnowski | |
 |
Revue | Actes de la recherche en sciences sociales |
| Numéro | vol. 88, no. 1, 1991 Les avant-gardes | |
| Rubrique / Thématique | Les avant-gardes |
|
| Page | 41-47 | |
| Résumé anglais |
The Donkey that Painted with its Tail The Salon des Artistes indépendants founded in 1884 had no selection panel and was open to anyone who wanted to offer his work to the judgement of the public In 1910 young journalist Roland Dorgeles sought to denounce the lack of esteem which resulted from this liberalism He also wanted to ridicule the audacities of the new schools Fauvism Futurism and the oddities which the criticism of the day attributed to foreigners To mystify the ama teurs he exhibited Sunset over the Adriatic which the catalogue attributed to J.R Boronali and which court testimony published in magazine declared to have been painted by donkey reading of the press which comments on this art joke shows that the joke did not amuse everyone For it called in question the value that everyone attributes to works of art Source : Éditeur (via Persée) |
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| Article en ligne | http://www.persee.fr/web/revues/home/prescript/article/arss_0335-5322_1991_num_88_1_2980 |
