| Titre | El conflicto colombiano entre animación e hiperrealismo mágico : Desterrada de Diego Guerra. | |
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| Auteur | Françoise Bouvet | |
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Revue | Amerika |
| Numéro | no 18, 2018 COLOMBIE 2017 | |
| Rubrique / Thématique | Thématique |
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| Résumé anglais |
In March 2014, Diego Guerra presented in the International Film Festival of Cartagena de Indias his animated film Desterrada. With this first full-length movie, the cartoonist yearns to relate what means being young in Bogotá, and at the meantime, try to paint the conflict that corrode Colombia since the 70s. Reflection of the country History or fiction, hyper-realistic but also dystopic, the film affects because of his peculiar treatment of violence, conducing the spectator from a recalling process to a denunciation of the conflict. Clearly influenced by American comics and movies, but also deeply rooted in Columbian arts, we will show that Desterrada develops an original aesthetic project and we will question the term of “magic hyper-realism” that emerged from the audience after the premiere. Source : Éditeur (via OpenEdition Journals) |
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| Article en ligne | http://journals.openedition.org/amerika/10292 |
