| Titre | De la ontología del género femenino y las estrategias de la mascara-de en la obra de Marvel Moreno : conflictos de identidad y violencia de la representación en Colombia | |
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| Auteur | Natalia Vélez L. | |
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Revue | Amerika |
| Numéro | no 18, 2018 COLOMBIE 2017 | |
| Rubrique / Thématique | Thématique |
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| Résumé anglais |
The present dissertation inquires on the being of the feminine gender, evidenced in the literary discourse of the Colombian author Marvel Moreno. I turn to Lacan, in his reflection on the significant practices exposed in the symbolism of language, articulated by the “law of the father” and the differences of sex and gender according to their cultural dimension. This ontology investigates the "being" of the Phallus, sense consented by “the law”, according to which sexual difference is unintelligible. The "being" or "having" the Phallus, announces dialectically impossible positions. Moreno works this conception in the representations of the masculinized language of binary disjunction between "being" and "having", mediated by the power of the dominant sex and the repression (masquera-de) constituting of the feminine subject. I argue that these discursive representations of the dialectic "to be"-"to have" frame the paradox of the development of Colombian society in the 1990s : the consecration of fundamental rights in the 1991 Constitution, accompanied by the resurgence of political violence and increased rates of sociocultural conflicts ; the violence of representation and the hierarchical incorporation of the "I". This representational violence precedes and accompanies the identitarian processes of "extreme" subcultures, needing manifestation through the armed conflict. Source : Éditeur (via OpenEdition Journals) |
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| Article en ligne | http://journals.openedition.org/amerika/8939 |
