| Titre | Kupka et le rapport entre création picturale et modèle musical | |
|---|---|---|
| Auteur | Pierre Brullé | |
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Revue | Revue des Etudes Slaves |
| Numéro | Vol. 74, no 1, 2002 | |
| Rubrique / Thématique | Littérature et beaux-arts dans les pays Tchèques de la fin de siècle aux avant-gardes, sous la direction de Xavier Galmiche et Markéta Theinhardt Articles |
|
| Page | 105-114 | |
| Résumé anglais |
Kupka and the relationship between Pictorial Creation and the Music Model
The aesthetic reflections of Kupka, that great Czech painter and pioneer of non- figurative art, lead us to study the relationship he created between music and pictorial creation. Pitting the arts unfolding in time against painting, of which one declared objective is the “graphic freezing of moving forms', Kupka distrusted any analogy between two essentially different arts. Nevertheless, as he was interested in synesthesias, he carefully examined the complexities of acoustic and visual impressions. In this demanding, and essentially metaphoric reflection, music eventually serves as an artistic model, in as much as it has the qualities of abstract construction of Bach' s Fugue, the ideal abstract form for Kupka. Source : Éditeur (via Persée) |
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| Article en ligne | https://www.persee.fr/doc/slave_0080-2557_2002_num_74_1_6778 |
