| Titre | Fragmentation du sujet. Le nouveau drame bulgare après 1989 | |
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| Auteur | Violeta Dečeva, Elena Gueorguieva | |
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Revue | Revue des Etudes Slaves |
| Numéro | Vol. 81, no 2-3, 2010 La Bulgarie : du communisme à l'Union européenne Langue, littérature, médias sous la direction de Jack FEUILLET et Marie VRINAT-NIKOLOV | |
| Rubrique / Thématique | La Bulgarie : du communisme à l'Union européenne. Langue, littérature, médias Articles |
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| Page | 307-319 | |
| Résumé anglais |
Fragmentation of the Self. The New Bulgarian Drama after 1989.
After the fall of the Berlin Wall, the changes that occurred in our post-industrial societies, the economie and cultural globalization, the invasion of new media and means of communication, the changes in the social system and the media, ail these events considerably influenced Bulgarian dramatic art and its process. The cost of freedom has been much higher than expected. Dramatic art has also been 'dramatically' affected : post-modernism has reached its limits, new and unexpected issues hâve corne to light as well as new research on aesthetics. What is interesting in our new societies is precisely this new process, invisible, hard to perceive and to characterize, confused.
The purpose of this study is clearly to présent the new Bulgarian drama in the light of the important changes that occurred after 1989, to show the logical parrallel between the changes and the cultural continuum of the Bulgarian dramaturgy and to analýze the innovations in the Bulgarian society due to the revolutionary changes during the transition period from communism to democracy. The relationship between Man and society, so important in the field of théâtre is our starting point for the study of subjects, authors and important plays. We want to show in this study that the most important point for the new Bulgarian drama after 1989 is the fragmentation o f the self. Source : Éditeur (via Persée) |
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| Article en ligne | https://www.persee.fr/doc/slave_0080-2557_2010_num_81_2_8055 |
