Contenu de l'article

Titre “Bang Bang Bang” – Nonsense or an Alternative Language?
Auteur Tian Li
Mir@bel Revue China perspectives
Numéro no 2019/3 Sinophone Musical Worlds (1)
Rubrique / Thématique
Special feature
Page 37-45
Résumé anglais Through examining the Chinese remake of the Korean television program I Am a Singer , I explore the questions of how a Chinese musical television reality show performs and represents the newly rising aesthetic demands for de-territorialising what I term the “lingualscape,” the shifting landscape of languages intermingled with and liberated from standardised national languages; and how it interplays with affective negotiation in the practices of translation or transplantation within the context of cultural de-territorialisation. This Sino-Korean musical TV program demonstrates nonethnic-centred imaginings across national and state-sanctioned ideological boundaries. The lingualscape performs affective negotiation and rises above the official lingual system, a process through which sincere communication becomes possible in a digital time.
Source : Éditeur (via OpenEdition Journals)
Article en ligne http://journals.openedition.org/chinaperspectives/9417