| Titre | Les limites de la réception savante du jazz en France : `ibLa Revue musicale`/ib, 1920-1939 | |
|---|---|---|
| Auteur | Nicole Fouché | |
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Revue | Revue française d'études américaines |
| Numéro | no 5, hors série, 2001 Play it again, Sim… | |
| Rubrique / Thématique | Articles et essais |
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| Page | 38-52 | |
| Résumé anglais |
All things considered, one may claim that, during the 1920s and 1930s, La Revue musicale, a serious (and very Parisian) musical publication became aware of the importance of jazz for the French musical elite (made up of connoisseurs, critics and musicians). Well-known professional musical critics —Henry Prunières, André Cœuroy, Arthur Hoerée, Hugues Panassié and others — expressed the view that jazz was indeed a new combination of music, rhythm and life, but they eventually failed in their effort to understand it because of certain cultural barriers : jazz and Negro cultural values, jazz and improvisation. Source : Éditeur (via Cairn.info) |
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| Article en ligne | http://www.cairn.info/article.php?ID_ARTICLE=RFEA_HS01_0038 |
