| Titre | Carlos Liscano amordaza el silencio | |
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| Auteur | Saúl Sosnowski | |
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Revue | Amerika |
| Numéro | no 26, 2023 Fictions de la terreur dans le Cône Sud et au Brésil : représentations récentes | |
| Rubrique / Thématique | Dossier: Fictions de la terreur dans le Cône Sud et au Brésil : représentations récentes Novelas y Relatos |
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| Résumé anglais |
The apparent oxymoron of « Carlos Liscano amordaza el silencio » underlines that it was through writing that Liscano (Montevideo, 1949-2023) managed to survive his more than 12 years of confinement imposed by the Uruguayan dictatorship. While in prison he discovered that by writing, as he had previously done by studying mathematics, he could face and survive torture and isolation. Although it was inevitable that he would write about prison, it was finding a way out of the labyrinth of language that traced his path. Texts such as El camino a Ítaca (1994), El furgón de los locos (2001), Manuscritos de la cárcel (2010), La libreta negra (2011), Apuntes de la cárcel (2016) and Los orígenes (2019), as well as his plays and other artistic practices are ample proof of how he found his own voice. Source : Éditeur (via OpenEdition Journals) |
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| Article en ligne | https://journals.openedition.org/amerika/17689 |
