| Titre | La réorientation du cinéma japonais pendant l'occupation américaine (1945-1952) | |
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| Auteur | Michel Feith | |
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Revue | Revue française d'études américaines |
| Numéro | no 53, août 1992 Séquelles de guerres. | |
| Page | 9 pages | |
| Résumé anglais |
As a part of its cultural reorganization of Japan, the American occupation paid much attention to the film industry, due to its influence on the minds of the masses. This action was focused on three main directions : a punitive phase accompanied by stern censorship, designed to eradicate all trace of militaristic propaganda ; a positive phase, highlighted by the granting of freedom of expression ; and finally an « educational phase », whose aim was to advertise the new democratic order to the Japanese public. The conclusion of this study, a preliminary research on some aspects of my doctoral thesis, is an attempt to determine to what extent one can speak of « cultural imperialism » in relation to American intervention in the cultural life of a defeated enemy. Source : Éditeur (via Persée) |
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| Article en ligne | https://www.persee.fr/doc/rfea_0397-7870_1992_num_53_1_1470 |
