| Titre | Le banal et l'événement : la «Belle Noiseuse» de White Noise de Don DeLillo | |
|---|---|---|
| Auteur | François Happe | |
|
Revue | Revue française d'études américaines |
| Numéro | no 85, juin 2000 L'invention de l'ordinaire. | |
| Page | 10 pages | |
| Résumé anglais |
Hailed as the emblematic «postmodern » novel by American academics, White Noise has received a largely uniform critical treatment that rarely ventures beyond the limits of cultural satire. This article aims at showing that such a reading gets bogged down in the banality that DeLillo uses for ironical purposes. I suggest that this novel is not a handbook on American supermarkets or Baudrillard' s simulacra, but a literary text, and that the only noise worth listening to is DeLillo 's writing itself. Source : Éditeur (via Persée) |
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| Article en ligne | https://www.persee.fr/doc/rfea_0397-7870_2000_num_85_1_1973 |


