| Titre | Programming, Archiving, and Writing about the Women Make Waves Film Festival | |
|---|---|---|
| Auteur | Beth Tsai | |
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Revue | China perspectives |
| Numéro | no 142, 2025 Taiwanese Cinephilia | |
| Rubrique / Thématique | Special feature |
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| Page | 19-28 | |
| Résumé anglais |
The article examines Taiwan's pioneering Women Make Waves International Film Festival as a site for documenting an alternative feminist history and its broader struggles for gender equality in cinema. Through thematic programming, the festival tackles issues such as gender representation and identity while experimenting with different delivery styles. The article also raises critical questions about the challenges of preserving the labour and collective experiences of such events, underscoring the importance of archiving “absence.” By situating the festival within global feminist networks, the article highlights its lasting impact on reshaping narratives and transnational solidarity in cinema. Source : Éditeur (via OpenEdition Journals) |
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| Article en ligne | https://journals.openedition.org/chinaperspectives/18829 |
