Contenu du sommaire : (In)Visibility in African Cultures.

(In)Visibility in African Cultures. Guest Editors: Zoe Norridge, Charlotte Baker and Elleke Boehmer

• Introduction: Tracing the Visible and the Invisible through African Literature, Publishing, Film, and Performance Art - Norridge Z., Baker C., Boehmer E. p. V-XI
• Lifting the Cloak of (In)Visibility: A Writer's Perspective - Tadjo V. p. 1-7
• Literary Publishing After Nigerian Independence: Mbari as Celebration - Currey J. p. 8-16
• Publishing in Africa from Independence to the Present Day - Bgoya W., Jay M. p. 17-34
• The Caine Prize and Contemporary African Writing - Attree L. p. 35-47
• Black on Black: (In)Visibility in African Literary Heterotopias - Morosetti T. p. 48-61
• Sihle Khumalo, “Cape to Cairo”, and Questions of Intertextuality: How to Write About Africa, How to Read About Africa - Coetzee C. p. 62-75
• Between Remembering and Forgetting: (In)Visible Rwanda in Gilbert Gatore's "Le Passé devant soi" - Hitchcott N. p. 76-90
• The Critical Powers of Salimata's Disenchantment: A Gendered Rereading of Ahmadou Kourouma's "Les Soleils des indépendances" - Bekers E. p. 91-104
• Making the Invisible Visible: Photographic Trials in Neil Abramson's "Soldier Child" - Levi A. p. 105-124
• The Politics of Representation and Audience Reception: Alternative Visions of Africa - Ayisi F., Brylla C. p. 125-141
• Representing Africa in the UK: Programming the Africa in Motion Film Festival - Bisschoff L. p. 142-162
• Visualizing the Mental City: The Exploration of Cultural and Subjective Topographies by Contemporary Performance Artists in Johannesburg - Siegenthaler F. p. 163-176