| Titre | Inmigración francesa y cultura popular | |
|---|---|---|
| Auteur | Ana María Risco | |
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Revue | Amerika |
| Numéro | No 5, 2011 Allers/Retours | |
| Rubrique / Thématique | Allers/Retours |
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| Résumé anglais |
At the turn of the XX century the arrival of European immigrants who came to work in industries and to participate in urban projects in Tucumán, in the north of Argentina, creates a sense of witnessing and being part of an upgrowth similiar to the one happening in Buenos Aires. The relationship between intellectuals, heads or owners of the sugar industry and politicians seemed to be complicated in this context since they constituted an elite cultural circle despite their social heterogeneity. This paper aims at, on the one hand, investigating the extent of the contributions of the French migration to the complex richness of the Argentinean culture through the analysis of Fruto sin flor (1921) by Juan B. Terán and, on the other hand, reconstructing the complexity of relations between elite and popular cultures through appropriation and experimentation with the dime novel, a mass literary genre created by the members of elite in Tucumán. Source : Éditeur (via OpenEdition Journals) |
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| Article en ligne | http://amerika.revues.org/2597 |
