| Titre | Un cas d'intertextualité boulgakovienne dans la littérature russe contemporaine : le Fantôme du théâtre (Prizrak teatra) d'Andrej Dmitriev (2003) | |
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| Auteur | Régis Gayraud | |
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Revue | Revue des Etudes Slaves |
| Numéro | Vol. 79, no 1-2, 2008 | |
| Rubrique / Thématique | Communications de la délégation française au XIVe Congrès international des slavistes. Ohrid, 10-16 septembre 2008 Articles |
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| Page | 133-143 | |
| Résumé anglais |
A Case of Bulgakovian Intertextuality in Russian Contemporary Literature : The Andrej Dmitriev's Phantom of the Theatre (Prizrak teatra) (2003)
At first glance, there seems to be very little in common, apart, maybe, from an elusive allusion to the play The Run, between the work of Mixail Bulgakov and The Phantom of the Theatre (Prizrak teatra), a recent opus by the contemporary Russian novelist Andrej Dmitriev, written in reaction to the terrorist attack on Moscow Dubrovka Theatre. However, a closer reading of Dmitriev's book reveals Bulgakov' s influence on the whole structure of The Phantom of the Theatre, and helps understand its global meaning. The world described by Dmitriev is a cruel world of delusion, dominated by a theatrical Devil. The fact that the tragic and politically delusive events of fall 2002 took place in a theatre, underlines the relevance of any attempt to read Dmitriev's work in connection with Bulgakov' s.
Far from the usual textual extravagances programmed by contemporary intertextual references to Bulgakov 's works, Dmitriev prefers to stick to a more classical aesthetic to face the everlasting enemy of humanity. Source : Éditeur (via Persée) |
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| Article en ligne | https://www.persee.fr/doc/slave_0080-2557_2008_num_79_1_7130 |
