| Titre | Chris Owen en Papouasie Nouvelle-Guinée : entre idéal collectif et vocation personnelle | |
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| Auteur | Pascale Bonnemère | |
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Revue | Journal de la Société des Océanistes |
| Numéro | no 148, 2019 Filmer (dans) le Pacifique | |
| Rubrique / Thématique | Dossier Filmer (dans) le Pacifique |
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| Page | 37-51 | |
| Résumé |
Il est ensuite question de deux de ses films, Gogodala et Malagan Labadama ainsi que d'un projet de film de fiction jamais abouti. L'article se termine en présentant les activités d'archivage, de formation, de réalisation et de production du National Film Institute ainsi que les difficultés auxquelles il fait face aujourd'hui. Source : Éditeur (via Cairn.info) |
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| Résumé anglais |
Chris Owen, who died in 2018, was a well-known documentary filmmaker who came to Papua New Guinea a couple of years before Independence and left only in 2011. Employed by various national agencies, he took part in most of the films shot in Papua New Guinea. At once director, sound recordist and cameraman, he also lent logistical support to film crews shooting in the country, and was head of the National Film Institute. After having evoked his formative years, the article presents the institutional landscape of the 1970s, when Chris Owen and other young expatriates made their first films, since the article tries not only to portray a personal vocation but also to render a shared artistic and political ideal. The piece goes on to discuss two films, Gogodala and Malagan Labadama , and evokes a feature film project that Chris Owen did not manage to complete. Finally, the article presents the activities of the National Film Institute: archives, training and film-making, and indicates the difficulties confronting the institution today. Source : Éditeur (via Cairn.info) |
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| Article en ligne | http://www.cairn.info/article.php?ID_ARTICLE=JSO_148_0037 |
