| Titre | As Grazzi Ellas (primer acto) entre a memória e a explosão do corpo travesti | |
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| Auteur | Yvets Morales Medina, Melissa Campus | |
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Revue | Amerika |
| Numéro | no 21, 2021 Ecritures scéniques et dramatiques d'Amérique latine : quelles émancipations ? | |
| Rubrique / Thématique | Dossier thématique: Ecritures scéniques et dramatiques d'Amérique latine : quelles émancipations ? Poétiques des marges : perspectives minoritaires |
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| Résumé anglais |
This article presents a theoretical empirical reflection. It is from the semiotics of culture that the configuration of the semiosphere of the play Grazzi Ellas (monologue) is approached, to place in the theatrical scene the violence suffered by people who define themselves as trans, transvestites, transsexuals. It is a dramaturgy written by the transvestite actress Melissa Campus, that includes transvestite life stories and her own. This play aims to denounce violence, as well as the family and social abandonment that they suffer. This article seeks to dialogue with the experiences of public space construction, in order to contextualize the construction of the semiosphere, according to the author Luri Lotman, as well as to observe the explosions of the theatrical sign and the ruptures that transvestite bodies cause in the daily social environment and in the theatrical setting. Source : Éditeur (via OpenEdition Journals) |
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| Article en ligne | http://journals.openedition.org/amerika/12774 |
