| Titre | Humo, pero no fuego. Dramaticulas al margen de la ley, al margen del amor… | |
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| Auteur | Claudia Yaneth Garcés Vergara | |
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Revue | Amerika |
| Numéro | no 21, 2021 Ecritures scéniques et dramatiques d'Amérique latine : quelles émancipations ? | |
| Rubrique / Thématique | Dossier thématique: Ecritures scéniques et dramatiques d'Amérique latine : quelles émancipations ? Paroles d'artistes |
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| Résumé anglais |
On the occasion of the colloquium, Claudia Garcés presents her work Humo pero no fuego, Dramatículas Escénicas al margen de la Ley, al margen del Amor. Three short plays that sadly show the banality of the Colombian armed conflict's evil: an evil that is not only the drug traffickers', but also the guerilla's as well as the army's. This testimonial theatre reflects the teatrista's own experience as her brother was one of the innocent civilians murdered in the episode known as the "false positives". The artist's cry is condensed into a reduced format: firstly because of the brevity of the drama, which becomes a "dramaticule", but also by the way it is set in space. The actors perform in a minimal square drawn on the floor, and their body is their only prop and set. Claudia Garcès, who is at once an artist, an academic and also a victim offers an extension of her creative process in this academic-poetic text, proposing to turn pain into an act of political resistance. Source : Éditeur (via OpenEdition Journals) |
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| Article en ligne | http://journals.openedition.org/amerika/13153 |
