Contenu du sommaire : Femmes écrivains au tournant du siècle.
Revue | Revue française d'études américaines |
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Numéro | no 69, juin 1996 |
Titre du numéro | Femmes écrivains au tournant du siècle. |
Texte intégral en ligne | Accessible sur l'internet |
- Propos de vingtième anniversaire - Maurice Gonnaud p. 2 pages
- Avant-propos - Danièle Pitavy-Souques p. 7 pages
- Bibliographie - Danièle Pitavy-Souques p. 7 pages
- Les figures de l'espace chez Willa Cather et Ellen Glasgow - Françoise Palleau-Papin p. 10 pages This comparative study of Willa Cather and Ellen Glasgow's fictions focuses on the way these writers structure space in language through their use of figures of speech, images and narrative strategy. Three definitions of space are considered : referential space, "figurai" space or that of the sentence, with its syntactic structure, and representational space, conveyed through the descriptive images. All three combine to allow a creative drive to expand and to create a space of one's own in language.
- Edith Wharton ou l'éloge de la mobilité - Colette Collomb-Boureau p. 10 pages The themes of Edith Wharton' s short stories confirm what can be detected through her biography : the need for an out-of-step and unsettled position, the necessity of critical, if periodic, distance from a socially ensconced conformity. As a writer it was through her transatlantic wanderings that she could best assert her liberty and Americanness. This is how one could consider Wharton' s work as sociological fiction in which the ideal aloofness of individuality and the inescapable constraints of socialization are made to come to terms.
- Corps féminin et échange symbolique : d'Edith Wharton à Ellen Glasgow - Brigitte Intissar-Zaugg p. 19 pages New Yorker Edith Wharton and Virginian Ellen Glasgow are often associated by literary critiques as both wrote novels of and were staunch defenders of the feminine cause. This article deals with their positions toward marriage and the financial dependence of woman through the portrayal of three female characters : Lily Bart in The House of Mirth (1905) and Undine Spragg in The Custom of the Country (1913) by E. Wharton, and Dorinda Oakley in Barren Ground (1925) by E. Glasgow. We shall use as a basis Claude Lévi-Strauss s and Pierre Legendre's remarks on the subject of exchange, as well as Charlotte Perkins Gilman's reflections on marriage. The three heroines are all confronted with marriage at some point in their lives ; none of them really reaches her goal and can be said to be truly happy. Of the three, only Dorinda manages to come to terms with the life she has made for herself, thereby revealing that Glasgow went one step further than Wharton in the advancement of the feminine cause.
- Kate Chopin et Willa Cather : la filiation problématique dans The Awakening et O Pioneers! - Marie-Claude Perrin-Chenour p. 9 pages This paper compares two novels of the turn of the century - The Awakening and O Pioneers ! - which both stage a woman engaged in a creative activity. Through an analysis of their perception of nature, it explores the modifications in perspectives implied by these women's new position as subject and the way they relate to the object of creation, wavering between the "reproduction" and "transformation" of their various heritages (whether personal, social or literary).
- Dire la femme nouvelle : quelques stratégies narratives chez Ellen Glasgow, Kate Chopin et Willa Cather - Danièle Pitavy-Souques p. 10 pages Turn-of-the-century women writers have used strategies inspired from avant-garde painting and political discourse, and reversed the traditional theme of the scapegoat to both reject conventional images of women and present the New Woman.
Hors thème
- Aïeule et tradition sacrée dans le théâtre afro-américain - Alice Mills p. 8 pages This article attempts to unearth those elements which bind the character of the Old Woman, more than that of any other figure in African-American theater, to the half-human, half-divine mythical Trickster. The essay examines the Old Woman's flair, her ambivalent personality, her mastery of language, exageration and humour and, above all, her eagerness to lead others into situations of conflict. It is based on plays by Georgia D. Johnson, Marita Bonner, Louis Feterson, Abram Hill, Theodore ward, Loften Mitchell, Lorraine Hansberry, Ted Shine, Gayl Jones, Dianne Houston, Leslie Lee, Robert Alexander, Elizabeth Brown Guillory and August Wilson.
- Observations transatlantiques : les américanistes français et les Etats-Unis - Pierre Guerlain p. 24 pages The aim of this paper is to study the professional relationship between French American Studies specialists with their American colleagues and to analyze the specific contributions they, along with many other non-Americans, make to the field. As outsiders the French may have to overcome a geographic and cultural handicap but they also provide their American colleagues with fresh view-points and angles to tackle the many facets of American life. The relationship between insiders and outsiders is often central to a mutual widening of perceptions. America itself is made up of a collection of outsider groups, and the marginalized and forgotten within American society are in a similar position vis-à-vis mainstream society as foreign analysts are in relation to America. Their perceptions of America enrich the whole culture of the United States which, probably more than other countries, has a "common culture that is multicultural." Foreign observers, who work with Americans and in American institutions, often prove to be a boon to Americans themselves who might be too immersed in their cultural milieu to perceive what they take for granted. In the same way as Americanists the world over obviously benefit from the work of their American counterparts, the field of American Studies can only be enriched by transnational observation and cooperation.
- Conspiration and « Lone Nuts »: Inevitable Adjuncts to Bloodshed in American Politics? - Jacques Laroche, Alexander Moore p. 8 pages Malgré leur tradition démocratique et leur droit de récuser les élus indésirables, les Américains vivent dans un climat de violence politique, habituellement commise par des maniaques. On se penchera sur leur longue prédilection pour les rumeurs de complots. Rumeurs et violence ne s'engendrent-elles pas mutuellement ? Les milices, actuellement à la une, en sont la preuve.
- Aïeule et tradition sacrée dans le théâtre afro-américain - Alice Mills p. 8 pages
Comptes rendus
- James D. Hart. The Oxford Companion to American Literature. Sixth Ed. With revisions and additions by Phillip W. Leininger - Robert Sayre p. 1 page
- Marc Maufort, éd. Staging Difference: Cultural Pluralism in American Theatre and Drama - Liliane Kerjan p. 2 pages
- James Morton Smith, éd. The Republic of Letters. The Correspondence Between Thomas Jefferson and James Madison, 1776-1826, 3 vols - Jacques Portes p. 2 pages
- Joseph A. Conforti. Jonathan Edwards, Religious Tradition and American Culture - Jean Béranger p. 2 pages
- The Cambridge History of American Foreign Relations. Vol. 1, Bradford Perkins. The Creation of a Republican Empire, 1776-1865. Vol. 2, Walter Lafeber. The American Search for Opportunity, 1865-1913. Vol. 3, Akira Iriye. The Gobalizing of America, 1913-1945. Vol. 4, Warren I. Cohen. America in the Age of Soviet Power, 1945-1991. - Jacques Portes p. 1 page
- Desmond King. Separate and Unequal. Black Americans and the U. S. Federal Government - Sophie Body-Gendrot p. 1 page
- Michael Lind. The Next American Nation: The New Nationalism and the Fourth American Revolution - Pierre Guerlain p. 2 pages
- Stanley Fish. Professional Correctness, Literary Studies and Political Change - Pierre Guerlain p. 1 page
- Elyette Benjamin-Labarthe, Yves-Charles Grandjeat et Christian Lerat, dir. Actes du VIe Congrès Européen sur les Cultures d'Amérique Latine aux États-Unis. Confrontations et Métissages - Marcienne Rocard p. 1 page
- George E. Marcus, Fred R. Myers, eds. The Traffic in Culture: Refiguring Art and Anthropology - John Dean p. 2 pages
- Michael Schudson. The Power of News - Claude-Jean Bertrand p. 1 page Bertrand Claude-Jean. Michael Schudson. The Power of News. In: Revue Française d'Etudes Américaines, N°69, juin 1996. Femmes écrivains au tournant du siècle. p. 124.
- Pierre Guerlain. Miroirs transatlantiques, la France et les États-Unis entre passions et indifférences - Eliane Elmaleh p. 2 pages